Don Ray Smith flips the script with the true story about his boyhood in the highly-segregated West End of Louisville, Kentucky in the 1950s. Smith becomes over a dozen characters in this one-man, two-act play. His view takes in everything from white 'Projects’ to Black girls, street punks to teachers, brass knuckles to Cassius Clay, boxcar-jumping to an alcoholic father, and Integration to White Flight. Smith’s positive messages are non-confrontational but still unvarnished. And still very real in today’s times.